
Camera and audio, one file
Record the wide shot, your programme feed and two more audio tracks, with LTC on a fourth track, all locked together in one file.
Features
What ShowRevue records, how you find your way back through it, and what it hands the rest of the team.
Recording
The wide shot, the sound and every cue, written together and kept safe.

Record the wide shot, your programme feed and two more audio tracks, with LTC on a fourth track, all locked together in one file.
H.264 and H.265 record to a standard MP4 anyone can open. Open it in ShowRevue and every cue, note and bit of metadata is there to jump to. ProRes LT records to a MOV with a sidecar file.
Crash-safe writing that survives a power yank, plus an optional live mirror to a second drive, so one disk dying mid-show doesn't take the whole run with it.
Capture the camera at full resolution and record at HD, then punch in up to 4× and pan around. A tighter shot with no second lens, still sharp.
One Show-Ready check: camera and resolution, timecode locked, signal on every audio track, consoles talking, servers up, disk free. It also catches a zoom crop left on, two services on one port, or no main cue list picked.

LTC, MTC, Art-Net and sACN. Timecode records alongside the video and plays back in sync, so you stay locked to the desk.
Playback
Cue by cue, section by section, and back out to the desk.

Type a cue number and land on the moment that lighting or media cue fired, instead of scrubbing through hours of footage.

Timecode blocks become named sections on the timeline. Name them once and the names carry across every session of the run.

Catch what just happened while the take keeps rolling. Jump to a cue and scrub it frame by frame, audio and all.
Send LX or media cues to the console as the video plays, so the stage matches the recorded state without you touching the desk.
Export each named block as its own file, programme audio on the left and LTC on the right. That's the layout cue-building apps like CuePoints expect.
Pick two recordings of the same show and see what moved: running times act by act, cues added, dropped or shifted, which notes are still open, and any technical incidents.
Director is a clean, big-text layout with the feed, timeline and cue navigation, sized for whoever is watching or calling rather than driving the desk.
Drop in your MVR rig or build the stage in the app, bind PSN or BlackTrax trackers, and watch automation replay in sync with the video. You get a warning if anything breaks a safe zone.
Notes
From phones, laptops and the desk itself, stamped to the frame.

Any phone, tablet or laptop is a notepad, on the house Wi-Fi or over the cloud. Notes are stamped to timecode and tagged by department. Theatre Mode goes full black with a red readout for blackouts.
Hit a macro, type, done. The note is frame-stamped to timecode and shared with everyone, without reaching for an iPad.
Scribble on a note's snapshot: circle the late entrance, arrow the dead lamp. The strokes replay over the video at the cue.
Send the session's notes, with timecode and time since the cue, as a PDF the moment the run ends.
Live timecode, the current cue and notes on your phone. On iPad there's a Director view big enough to call the show from. It connects to the Mac on the house Wi-Fi and switches to the cloud outside the building.
Backstage and after
What the rest of the building sees during the show, and what lands after it.

Live cue state, timecode and the stage camera on any screen in the building over the LAN. Push half-hour, beginners or an evacuation message to every screen in a tap.

A PDF after every run with act, interval and total times, how far you ran off your targets, cue snapshots and every note. Ready for the production meeting.
Drill your calls against a real take. Hide the video and call Standby and GO by ear against the cues that actually fired. Every call is graded early, on time or late, with a scorecard and a PDF.
14 days of Professional, free. No card, no account.