Recording
Every cue recorded
The wide shot, your programme feed and two more audio tracks, with LTC on a fourth, all locked together in one file. Every cue lands in the list as the desk fires it.
ShowRevueLog inGet notifiedComing soon · macOS 14+
The show recorder
for live production.
Stage video, multitrack audio, timecode and every cue, recorded into one file. Find any cue, replay the exact moment and fire it back to the desk.
One email when ShowRevue is released. Nothing else.
Native
Built for macOS 14 and later. Apple silicon recommended.
One file
Video, three audio tracks, LTC and every cue in a standard MP4.
On your network
Live Notes and Stage Display are web pages on the venue LAN.
Show-safe
Crash-safe writing that survives a power yank mid-show.
Integrations
Talks to the desk you already run.
Cue data comes in live from grandMA3 and ETC Eos over OSC, from grandMA2 over MIDI Show Control, and from QLab, Pixera, disguise and Millumin. No middleware, no bridge app.
grandMA3
OSC, both ways- Each cue lands on the recording the moment the desk fires it.
- In playback, fire the cue back to the desk to rebuild the state on stage.
On the record
Every cue, on the frame it fired.
Each lighting, QLab and media cue is stamped on the recording as it fires. In playback you go straight to it.
Playback
Jump to any cue
Search for a cue by name or number and seek straight to it, or step cue to cue. Then fire it back to the desk to rebuild the state.
Playback
Named sections
Timecode blocks become named sections on the timeline: Prologue, Storm Sequence, Finale. One click takes you to the top of any of them.
During the run
Look back without stopping the take.
TimeWarp
Instant replay, mid-run
Catch what just happened while the take keeps rolling. Scrub back, check the moment, then return to live.
Timecode
Timecode in and out
LTC, MTC, Art-Net and sACN (ETC Eos). Timecode records alongside the video and plays back in sync, so you stay locked to the desk.
Live Notes
The whole team notes together.
Any phone, tablet or laptop is a notepad, on the house Wi-Fi or over the cloud. Notes are stamped to timecode and the cue that was live, and tagged by department.
- Nothing to install. It's a web page.
- Theatre Mode keeps your night vision in a blackout.
- Every note lands on the timeline in playback.
Stage Display
The show, on every backstage screen
A live web page with the current cue, running timecode and the stage camera. Point a dressing-room monitor or a foyer screen at the URL, and push half-hour, beginners and department calls to every screen at once.
Session reports
A report after every run.
When the run ends ShowRevue writes a PDF with running times, interval timings, cue snapshots and every note, ready for the production meeting.
Who it's for
Built for the people at the tech table.
LX programmer and designer
Every LX cue stamped on the frame it fired. Jump to a cue by number and fire it back to the desk to rebuild the state.
SM and DSM
Live Notes tagged by department, a session report when the run ends, and calls to every backstage screen through Stage Display.
Sound and video
Up to three audio tracks plus LTC, with QLab and media server cues on the same timeline, ready to fire back from playback.
Director
Jump to any scene, note or cue in seconds, and TimeWarp back through the moment you just watched while the run keeps going.
Venue and production manager
A record of every tech, dress and show, locked to house timecode, with reports ready for the production meeting.
FAQ
Questions from the tech table.
What Mac do I need?
A Mac running macOS 14 Sonoma or later. Apple silicon (M1 or later) is recommended, with 8 GB of RAM as a minimum and 16 GB for long sessions with multitrack audio. Allow 100 GB or more of free disk for a full tech day.
Which consoles and playback systems does it work with?
grandMA3 and ETC Eos send their cues over OSC, and grandMA2 cues come in over MIDI Show Control. On the media side it works with QLab 5, Pixera, disguise and Millumin. Timecode can come from LTC, MTC, Art-Net, or sACN from an ETC Eos.
Does it work without the internet?
Yes. Recording, playback, Live Notes and Stage Display all run on the Mac and the venue network. The internet is only needed for cloud shows and for checking your licence, and a licence keeps working offline for 14 days between checks.
How does the free trial work?
Download ShowRevue, open it and press Start 14-Day Trial. That Mac runs as Professional for 14 days, with no card and no account. Each Mac gets the trial once.
What happens when the trial ends?
ShowRevue becomes the free Viewer on that Mac. It keeps playing your recordings and following live shows, but it stops recording until you add a Base, Professional or Max licence. Your recordings are standard files and stay yours.
Is there a free version?
Yes. The Viewer is free for good. It plays any recording with its cues and notes, follows a live ShowRevue show and joins a cloud show as a team member. It doesn't record.
Is there education pricing?
Yes. Currently enrolled students get ShowRevue Base free on their own Mac. Schools get Professional features from $349 a year for a 5-seat Classroom licence, with Department, Campus and a $49 Education Production Pass too. Every application is checked by hand, usually within a couple of days. The Education page has the details.
Is it show-safe?
Yes. When a session is set as a Show, no cue commands go out to the console while it records, and Stop becomes hold-to-stop. The Output Audit Trail logs anything ShowRevue sends, and anything the lock blocked.
Is the video file locked to ShowRevue?
No. H.264 and H.265 recordings are standard MP4 files that open in any player, with the cue and note data inside. ProRes LT recordings are MOV files with a sidecar metadata file.
Record your next run.
Sign up and we'll email you once, when ShowRevue is released.